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Orlando

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Title: Orlando


1
Orlando
  • Virginia Woolf

2
Virginia Woolf (1882-1941)
  • English novelist and essayist.
  • Daughter of English biographer, Leslie Stephen
    (began the monumental project, DNB in 1885).
  • Part of the Bloomsbury Group, a group of writers
    and painters based in London (SW1) that included
    Vanessa Bell (her sister), Leonard Woolf (her
    husband), Roger Fry, Lytton Strachey, E. M.
    Forster and Clive Bell, among others. Most of
    the men were associated with Trinity College,
    Cambridge.

3
Virginia Woolf (1882-1941)
  • With her husband, founded the Hogarth Press in
    1917 published her own books, as well as first
    English translations of Freud.
  • Orlando was first published in 1928, and was
    widely popular in its day, more popular than
    Woolfs other works of fiction up to that point
    sales of Orlando nearly doubled that of her
    previous novel, To the Lighthouse (1927).
  • Woolf cultivated a long-term friendship (and,
    through the 1920s, a sexual affair) with Vita
    Sackville-West.
  • She suffered from depression and periodic
    breakdowns committed suicide by drowning in
    Sussex in 1941.

4
Orlando (1928)
  • Willing suspension of disbelief phrase coined
    by Samuel Taylor Coleridge (derived from
    Aristotle).
  • There are two narrative conventions that we must
    accept on their own terms.
  • The first is that Woolf bisects story both
    structurally and thematically between male and
    female halves In every human being a
    vacillation from one sex to the other takes
    place, and often it is only the clothes that keep
    the male or female likeness, while underneath the
    sex is the very opposite of what it is above
    (171).
  • What is the difference between sex and gender?
    How does Woolf play with these?

5
Sex and Gender Terms
  • Gender A psychosocial construct used to classify
    a person as masculine or feminine (or both, or
    neither).
  • Sex The anatomy and biology that determines
    whether one is female/male.
  • Gender identity The way that a person sees or is
    seen according to psychosocial constructions of
    gender.
  • Sexual identity How a person sees himself or
    herself physically, e.g., as male or female.

6
Sex and Gender Terms
  • Transsexual An individual who undergoes a sexual
    transition to live full-time in the sex that
    corresponds with their sexual identity.
  • Transvestite An individual who dresses in the
    clothing of the opposite gender for a variety of
    reasons.
  • Androgyny the state or condition of being neither
    clearly male (or masculine) nor clearly female
    (or feminine), but somehow both at once. The term
    often denotes a subversive alternative to a
    rigidly defined system of sex/gender differences.

7
Orlando (1928)
  • Willing suspension of disbelief phrase coined
    by Samuel Taylor Coleridge (derived from
    Aristotle).
  • There are two narrative conventions that we must
    accept on their own terms.
  • The second is that time passes Orlando lives
    through four centuries of history and no
    explanation for his/her longevity is ever given.
  • A modernist sense of time not chronological,
    but interior time is psychological, symbolic,
    used as a thematic structuring device.
  • What does Orlandos age represent or symbolize?

8
Orlando and a room of ones own
  • Two books written at approximately the same time.
  • A Room a series of essays delivered at womens
    colleges at Cambridge in 1927, on the topic of
    women and fiction.
  • Thesis of the essays women need a room of their
    own and 500 a year to write fiction they also
    to abandon male strategies of writing, especially
    about the autonomous self.
  • Explores genealogy of womens fiction writing in
    England from sixteenth century, begins with
    imaginary Judith Shakespeare.

9
A Room of ones own (1928)
  • For my belief is that if we live another
    century or soI am talking of the common life
    which is the real life and not of the little
    separate lives which we live as individualsand
    have five hundred a year each of us and rooms of
    our own if we have the habit of freedom and the
    courage to write exactly what we think...then the
    opportunity will come and the dead poet who was
    Shakespeares sister will put on the body which
    she has so often laid down (Woolf 131-2).
  • Woolf, Virginia. A Room of Ones Own. London
    Penguin, 2004.
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