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History of Phonology

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Title: History of Phonology


1
History of Phonology
  • with an emphasis on recent history

2
1900-1930
  • Development of Phonetics are a special branch of
    linguistics
  • Unlike historical linguistics, also concerned
    with sounds through its preoccupation with sound
    change, phonetics was firmly rooted in synchronic
    analysis
  • Articulatory phonetics
  • Acoustic phonetics

3
new tools
  • spectrograph
  • X-ray photos (and films)
  • sound recordings

4
Phonology
  • Off-shoot of phonetics
  • Strictly devoted to those aspects of sound
    structure which are linguistically relevant
  • E.g. pitch differences related to tone or accent
    are phonologically important, pitch differences
    related to sex are not
  • First International Congress of Linguists in The
    Hague in 1928 is often viewed as the beginning of
    phonology, set off by

5
Prague school
  • definition of phoneme
  • importance of binary oppositions
  • marked vs unmarked member of pair
  • neutralization
  • languages are systems you cant take out one
    thing and study it separately that way you lose
    information about various contrasts within the
    language

6
Prince Nikolay Sergeyevich Trubetzkoy 1890-1938

7
Roman Jakobson1896-1982
8
Jakobsons accomplishments
  • wide-ranging scholar
  • worked on Russian case, phonological theory,
    poetics, and numerous other topics
  • introduced the Prague school to the USA
  • integrated work on language acquisition and
    language loss by aphasia in linguistic theory

9
Generative phonology
  • Morris Halle and Noam Chomsky started working on
    phonology in the 1950s
  • Culminating in The Sound Pattern of English (1968)

10
Morris Halle
11
Morris Halle, continued
  • student of Roman Jakobson
  • likewise of Russian (actually, Latvian) descent
  • worked primarily on Slavic and English
  • in his The Sound Pattern of Russian, Halle
    attacked the classical phoneme
  • with Chomsky, developed generative phonology
    (1956-1968 after 1968 Chomsky stopped doing
    phonology)

12
The Sound Pattern of English 1968
  • Authors Chomsky and Halle
  • Should have been Halle and Chomsky
  • Important for its formalization of phonological
    representations, rules, and its methodology
  • Discusses many major issues in the phonology of
    English, including phonotactics, phonological
    rules, and stress assignment in underived,
    derived and compound words

13
Segments
  • defined as a bundle of features
  • e.g. feature-1
  • feature-2 -
  • feature-3
  • feature-4 -
  • etc.
  • Features have a standard phonetic
    interpretation, in terms of articulation
    (Jakobson had proposed an acoustic
    interpretation)

14
One exception to binary features
  • To capture four levels of stress, Chomsky and
    Halle used numeral values for stress features 1
    stress, 2 stress, 3 stress and 4 stress
  • So features, in SPE, come in 2 types
  • boolean valued features (/-)
  • numerically valued features

15
Rules
  • context-sensitive rules
  • A ? B / C __ D
  • however, not involving whole segments, but
    features, or sets of features
  • many new notational devices were introduced, to
    formulate rules a notation, curly brace
    notation, etc.

16
Methodology
  • economy basic principle
  • feature-counting evaluation metric
  • highly abstract underlying forms
  • complex derivations, involving the phonological
    cycle
  • phonotactics done by rule
  • synchronic analysis became a mirror of diachronic
    analysis in SPE

17
E.g.
  • Dutch has no diphtongs before /r/
  • Historical account diphtongization never took
    place before /r/
  • Possible synchronic account assume diphtongs are
    underlying monophongs, and diphtongize them
    unless followed by /r/
  • Advantages reduces the inventory of underlying
    segments (economy), and derives the phonotactic
    generalization

18
Disadvantages
  • Need to use exception features, e.g. for loans
    that came into the language after the sound
    change (minuut, titel)
  • Mixes up diachrony and synchrony
  • Overly abstract learnability issue

19
Reactions to SPE
  • immediate and wide following
  • many phonologists embraced the methodology,
    notation and ideas, to describe phonological
    problems in a variety of languages, thus creating
    the field of generative phonology

20
However, there was also an immediate backlash
  • Abstractness natural phonology (David Stampe,
    Patricia Donegan, Theo Vennemann, Joan Bybee
    (Hooper))
  • Morphology new separation of word-based sound
    regularities from general sound regularities
    (Mark Aronoff, Paul Kiparsky)
  • Autosegmental phonology explosion of the segment
    (John Goldsmith, Nick Clements, etc.)

21
Abstractness
  • Need for absolute neutralization?
  • Absolute neutralization underlying form never
    shows up as surface form
  • In SPE, this was a common phenomenon
  • Learnability problem only if children use the
    same methodology as Chomsky and Halle, will they
    arrive at the same underlying forms

22
Autosegmental phonology
  • originated in the study of tone languages, where
    it was noted that
  • tonal features (like High Tone) may stretch over
    many segments, sometimes entire words
  • and when they change, e.g. through assimilation,
    all segments bearing the tone change

23
Suggestion (Goldsmith)
  • get rid of the absolute slicing hypothesis
  • put tonal features on a separate level (called
    tier), and then connect them to the various
    segments bearing the tonal features
  • allow the connection to be not one-to-one, but
    many-to-many

24
So,
  • One segment may bear two tones (e.g. Hi-Lo, heard
    as falling tone and Lo-Hi, heard as rising)
  • And one tone may be connected to many segments

25
Notation
Hi
Lo
Tonal tier
C
Segmental tier
V
C
26
Floating tones
  • are tonal features not (yet) associated with a
    segment
  • can be linked in the course of a derivation
  • may be separate morpheme
  • or originate through deletion of a segment
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