Title: Linear Dominants
1Linear Dominants
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3Linear Dominants
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5If you want to be cool, use linear dominants,
dudes.
6Linear Dominants In Review
Linear Dominants V6, VII6. And inversions of V7
Linear dominants lead to members of the _____
family
Linear dominants generally connect to these
chords via _________ motion in all voices.
All linear dominants except _____ contain the
dissonant tritone between scale degrees ____
and ___ Resolve the tritone regularly
whenever possible.
All linear dominants can be constructed using
only scale degrees ___, ___, ___, and ____.
Each of these tones has a strong tendency. In
general Take 7 to __ 4 to __ 2 to
either ___ or ___ and keep ____ as a
common tone.
7Linear Dominants Voice Leading
With V7 and its inversions the voice-leading
____ is required.
The exception is the linear dominant chord ____
4 can resolve irregularly to 5 if it leads
to ____, the so-called __________ _____
progression.
4 - 5
With VII6 the voice-leading ___ is required.
Never double the ____ in dominant-function
chords.
8Prolonging V
Move freely btw members of dominant family
Once dissonant 7th is introduced (4)it must
be retained
V-V-I and V-V-I are common
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16I ? ?
I I I6 I V V6 V I
I_________ V___ I