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Hello, Writer

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List any other words you think of that begin re ... This makes you brave! ... Consider what new meanings you find in your piece by reducing it so drastically. ... – PowerPoint PPT presentation

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Title: Hello, Writer


1
Hello, Writer!
2
This is AnExperiment
3
Once you have words on paper,
4
Its time to have fun with revision.
What is revision?
5
Look at the word revision again. What do you
see? Using the columns below, make a list
  • R E V I S I O N

List any other words you think of that begin re
List any word you think of when you see the word
vision.
6
Time to look again at your piece of writing.
  • Imagine it with fresh eyes!

7
  • What will you discover?

8
Here are some helpful things to keep in mind
about revision
  • Two ways of looking

Globally The Big Picture
Locally The Little Picture
9
GloballyThe Big Picture
  • What is the overall effect of the piece?
  • How is it organized and structured?
  • How does its tone serve the piece?
  • Where is the reader captured?
  • Where might the reader lose interest or get lost?
  • Consider pacing Are there places to speed up or
    slow down?

10
LocallyThe Little Picture
  • Do specific sentences create clarity or
    confusion?
  • Are there sentences that can be combined?
  • Are there sentences that can be shortened?
  • How are specific transitions serving the piece?

11
AND THREE APPROACHES
12
Remember,to know it, you have to try it for
yourself.
13
  • It takes guts, to - slice
    - expand - remake
    your precious piece of
    writing.

Having extra copies of your writing means you can
always go back to what you had before. This
makes you brave!
14
Youll need scissors and tape to conduct the next
three revisions experiments.
  • F I R S T
  • Read your piece out loud
  • LISTEN TO IT CAREFULLY
  • And then,

15
ADD
  • LOOK AT YOUR PIECE GLOBALLY. TRY THIS
  • When reading your piece look for new openings for
    fresh ideasplaces where you can add more sensory
    detail and/or dialogue.
  • When you hear that place mark it. Take your
    scissors and slice your piece open right there.
  • Tape a new, clean sheet of paper and begin
    writing once again, adding things you want the
    reader to see, hear, smell or taste.
  • Do this to at least three different points in
    your paper.
  • LOOK AT YOUR PIECE LOCALLY. TRY THIS
  • Look at the first sentences of every paragraph.
  • Consider adding transitions words such as for
    example next finally then in the first
    places on the other hand etc
  • Mark your changes by using the symbol and
    writing the words you want to add above it. So
    when you get back to the computer, youll know
    what to do
  • Or,

16
S U B T R A C T
  • LOOK AT YOU PIECE GLOBALLY. TRY THIS
  • Make a commitment to reducing your piece by at
    least one paragraph.
  • When reading the piece out loud, locate the
    paragraph(s) you think your reader doesnt really
    need.
  • Read your piece without that section. If the
    piece still makes sense, cross it out or better
    yet, cut it out with scissors.
  • At that point ,tape your piece together and go on.
  • Look at your piece locally. Try this
  • Choose the most 50 powerful words in your piece
    and write them down on a clean piece of paper.
  • Create a poem, using only those words.
  • Consider what new meanings you find in your piece
    by reducing it so drastically.
  • How does understanding the essence of your
    writing, influence your thinking about what your
    piece is saying?
  • Or,

17
R E A R R A N G E
  • LOOK AT YOUR PIECE GLOBALLY. TRY THIS
  • Takes scissors and tape, making thee last
    paragraph of your piece your first.
  • Make the first paragraph your last.
  • After rereading it, ask yourself how it sounds.
  • What other changes will you have to make so that
    your writing still makes sense?
  • As the next step, try telling your story
    backwards instead of forward. What new and
    exciting things happens when you do this?
  • Look at your piece locally. Try this
  • Find a new opening for your piece by finding the
    most powerful image, point of action or sentence
    in your writing.
  • Cut the sentence out at tape it to the top of
    your paper.
  • Consider what other changes you will have to make
    in your piece to start at this most powerful
    place.
  • What does the reader gain or lose if you start
    here? Do what you can to this change work.
  • Next, look for ideas that can be combined into
    one sentence. Or single sentences that can be
    better understood as separate thoughts. Revise
    these sentences.

18
So, what happened?
  • On a separate sheet of paper respond the
    following question
  • How did your ideas about your piece of
    writing--its shape, order, pace, or quality
    change because of your revision experiments?

19
A C T I O N P L A N
  • What changes will you keep in your final draft?
  • Use a separate sheet of paper to plan your next
    steps for revising your piece.
  • The end
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