Walt Whitman (1819-1892)

1
Walt Whitman (1819-1892)
2
O Captain! My Captain!
O Captain! my Captain! our fearful trip is
done, The ship has weather'd every rack, the
prize we sought is won, The port is near, the
bells I hear, the people all exulting, While
follow eyes the steady keel, the vessel grim and
daring But O heart! heart! heart! O the bleeding
drops of red, Where on the deck my Captain
lies, Fallen cold and dead.
3
O Captain! contd
O Captain! my Captain! rise up and hear the
bells Rise up--for you the flag is flung -- for
you the bugle trills, For you bouquets and
ribbon'd wreaths -- for you the shores
a-crowding, For you they call, the swaying mass,
their eager faces turning Here Captain! dear
father! This arm beneath your head! It is some
dream that on the deck, You've fallen cold and
dead. My Captain does not answer, his lips are
pale and still, My father does not feel my arm,
he has no pulse nor will, The ship is anchor'd
safe and sound, its voyage closed and done, From
fearful trip the victor ship comes in with object
won Exult O shores, and ring O bells! But I
with mournful tread, Walk the deck my Captain
lies, Fallen cold and dead.
4
Sweaty Toothed Madman
5
Song of Myself

• 52
• I too am not a bit tamedI too am untranslatable
• I sound my barbaric yawp over the roofs of the
  world.

6
Whitman nude?
7
Song of Myself
45 O span of youth! ever-push'd elasticity! O
manhood, balanced, florid and full. My lovers
suffocate me, Crowding my lips, thick in the
pores of my skin, Jostling me through streets and
public halls, coming naked to me at night, Crying
by day, Ahoy! from the rocks of the river,
swinging and chirping over my head, Calling
my name from flower-beds, vines, tangled
underbrush, Lighting on every moment of my
life, Bussing my body with soft balsamic
busses, Noiselessly passing handfuls out of their
hearts and giving them to be mine. Old age
superbly rising! O welcome, ineffable grace of
dying days! Every condition promulges not only
itself, it promulges what grows after and out
of itself, And the dark hush promulges as much as
any.
8
Song of Myself contd
I open my scuttle at night and see the
far-sprinkled systems, And all I see multiplied
as high as I can cipher edge but the rim of
the farther systems. Wider and wider they spread,
expanding, always expanding, Outward and outward
and forever outward. My sun has his sun and round
him obediently wheels, He joins with his partners
a group of superior circuit, And greater sets
follow, making specks of the greatest inside
them. There is no stoppage and never can be
stoppage, If I, you, and the worlds, and all
beneath or upon their surfaces, were this
moment reduced back to a pallid float, it would
not avail the long run, We should surely bring
up again where we now stand, And surely go as
much farther, and then farther and farther.
9
Song of Myself contd
A few quadrillions of eras, a few octillions of
cubic leagues, do not hazard the span or make
it impatient, They are but parts, any thing is
but a part. See ever so far, there is limitless
space outside of that, Count ever so much, there
is limitless time around that. My rendezvous is
appointed, it is certain, The Lord will be there
and wait till I come on perfect terms, The great
Camerado, the lover true for whom I pine will be
there.
10
Calamus poem
WE two boys together clinging, One the other
never leaving, Up and down the roads goingNorth
and South excursions making, Power
enjoyingelbows stretchingfingers
clutching, Armed and fearlesseating, drinking,
sleeping, loving, No law less than ourselves
owningsailing, soldiering, thieving,
threatening, Misers, menials, priests
alarmingair breathing, water drinking, on the
turf of the sea-beach dancing, Cities wrenching,
ease scorning, statutes mocking, feebleness
chasing, Fulfilling our foray.
11
Calamus symbolism
Whitman's symbol for gay love is the calamus
plant, calamus acornus, colloquially called the
sweet-flag which he refers to as the flag of
my disposition, out of hopeful green stuff
woven. It is a hardy perennial that grows by
ponds in the mid-eastern States, and
has three-foot high tufts, long pointed leaves,
yellow-green spikes, and huge sprawling rhizomes
(tubers or roots) that closely resemble penises
in various stages of tumescence. It is named
after the river god Calamus who grieved for the
death by drowning of his boy lover Carpus.
Rictor Norton
12
Whitman with Doyle
13
Sexuality in Whitman
Themes of sex and sexuality have dominated Leaves
of Grass from the very beginning and have shaped
the course of the book's reception. The first
edition in 1855 contained what were to be
called Song of Myself, The Sleepers, and I
Sing the Body Electric, which are about
sexuality (though of course not
exclusively) throughout. From the very beginning,
Whitman wove together themes of manly love and
sexual love, with great emphasis on intensely
passionate attraction and interaction, as well as
bodily contact (touch, embrace) in both.
Simultaneously in sounding these themes, he
equated the body with the soul, and defined
sexual experience as essentially spiritual
experience. He very early adopted two
phrenological terms to discriminate between the
two relationships amativeness for man-woman
love and adhesiveness for manly love. James
E. Miller, Jr.
14
Whitman in a sea of poems
15
Reception of Whitman
Betsy Erkkila relates the case of a public
service announcement dealing with Whitman's
sexual orientation (in an attempt to offer
support to lesbian and gay teenagers) that was
refused by all six Philadelphia television
stations, in two cases on the advice of the
director of the Walt Whitman Poetry Center, who
feared that the announcement would be
detrimental to the Center's educational
efforts. Leaves of Grass still appears on the
usual lists of banned books, and anyone who has
taught Whitman knows that both of the objections
current in 1855 remain firmly entrenched his
poems are not really poems, and whatever they
are, they are dirty. Jason Paul Mitchell
16
An American Queer?

• Whitman is America's greatest embarrassment,
  because if what he says about democracy is true,
  then the American ideal of universal equality is
  inherently homosexual, and homosexual love is the
  physiological basis of democracy. Whitman is a
  much more subversive and radical poet than even
  Jean Genet, and American school children for the
  past half-century have been carefully protected
  from exposure to America's greatest poet. -
  Rictor Norton