Raphael's Canagiani Madonna, 1507. Raphael. Madonna del

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Raphael Sanzio
Raffaello Sanzio, Raffaello Sanzi, and Raffaello
Santi Place of Birth - Urbino, Italy 1483
1520 Died of a fever aged 37 years old Served
as an apprentice to Andrea del Verrocchio Support
ed by The Medici Family and Pope Leo X
Raphael, Self-Portrait, 1506Oil on wood, Uffizi
Galleria.
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Raphael Sanzio
Raphael, Canagiani Madonna, 1507. HIGH ITALIAN
RENAISSANCE
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Raphael Sanzio
Raphael Madonna dell Granduca c. 1505 Oil on
wood. HIGH ITALIAN RENAISSANCE
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Raphael Sanzio
Sistine Madonna, c.1513-1514.
Cowper Madonna, c1505.
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Raphael Sanzio
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Raphael Sanzio
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Raphael Sanzio
Raphaels Madonnas
Madonna della Sedia
Alba Madonna
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Raphael Sanzio
Raphael, Portrait of Baldassare Castiglione,c.
1514-15Oil on canvas. HIGH ITALIAN RENAISSANCE
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Raphael Sanzio
RaphaelMarriage of the Virgin, Florence, Italy,
1504
According to the Golden Legend (a 13th century
collection of stories about saints lives),
Joseph competed against other suitors for Marys
hand in marriage. The high priest was to give
the Virgin to whichever suitor presented to him a
rod that had miraculously bloomed. Raphael
depicted Joseph with his flowering rod and about
to place Marys wedding ring on her extended
hand. Other virgins congregate at the left, and
the unsuccessful suitors stand on the right.
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Raphael Sanzio
The Raphael Stanze Pope Julius II commissioned
25 year old Raphael Sanzio in 1508 to paint the
frescos in his four room apartment on the top
floor. Three of the rooms were of modest
dimensions, while the fourth one was considerably
larger with the completion of the work, the
rooms became known as "The Raphael Stanze" .
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Raphael Sanzio
Raphael, The School of Athens, 1511, Fresco,
Stanza della Segnatura.
Da Vinci
Raphael
Michelangelo
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Raphael Sanzio
Legend has it that the woman who is facing
Raphael (with her back to us) was a love interest
of Raphaels who didnt feel the same way
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Raphael Sanzio
PLATOlooks to theheavens or the
IDEALrealm. Da Vinci was the model.
ARISTOTLElooks to thisearth thehere andnow.
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Raphael Sanzio
The thoughtful Michelangelo sits alone probably
the way he liked it.
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Veronese, Feast in the House of Levi,1573Oil on
canvas, Gallerie dell'Accademia, Venice
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TITIAN Titian had a creative career during which
he produced splendid religious, mythological, and
portrait paintings, original in conception and
vivid with color and movement
Titian, Penitent Mary Magdalen 1560s, Oil on
canvas.
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Titian, The Pesaro Altarpiece, 1522-26, canvas,
San Maria Gloriosa dei Frari, Venice
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Titian. Venus of Urbino. 1538. Oil on canvas.
Galleria degli Uffizi, Florence, Italy. HIGH
ITALIAN RENAISSANCE
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Portrait of Isabella d'Este
Titian, Portrait of Isabella d'Este, 1534-1536
Although she is shown as a young woman, Isabella
was 62 by the time the work was painted. Titian
had originally painted a more aged Isabella, but
she was so displeased with the picture that she
made him repaint it in an idealized form, so that
she looked forty years younger. Her face and
hands were given the most attention, while her
garment fades into the background.
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Titian. Bacchus and Ariadne. 1520-1522. Oil on
canvas.The National Gallery. HIGH ITALIAN
RENAISSANCE
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Giorgione, The Pastoral Concert, 1509. HIGH
ITALIAN RENAISSANCE
Also attributed to Titian Combines the Greek
idealism with a pastoral (or shepherd)
setting Not intended to convey a plot, but
rather an idyllic, romantic setting
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• Pope Julius II
• Laid the foundation for the new St. Peters in
  Rome (designed originally by Bramante)
• Commissioned Michelangelo to create a painted
  ceiling for the Sistine Chapel
• Commisioned Raphael to paint the four
  hemicycles in the Stanza della Signatura (the
  Popes apartment)

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HIGH ITALIAN RENAISSANCE
Tomb of Pope Julius II
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HIGH ITALIAN RENAISSANCE
Michelangelo, Moses 1513-1515
Commissioned by Pope Julius II as part of his
immense tomb, (which was never completed as
planned Julius used more funds to the building
of St. Peters) Horns on head were traditionally
meant to be divine, but scripture may have meant
that Moses was radiant, not horned. Inspired
by Greek Hellenistic sculpture Laocoon Sons