Title: The Database
1The Database
- from The Language of New Media
- by Lev Manovich
2The Language of New Media
- Seminal text in media theory
- Attempts to position new media with respect to
other media - Heavy on the cinema references
- Ignores many political issues
- Somewhat dated already
- Mentions the web, but fails to explore all of the
implications - But thorough in describing his theories
3What is a database?
- Quickly access, sort, and reorganize data
- Multiple data types
- Multiple indexes (or indices, if you prefer)
- Every new media object is an interface to a
database - What about broader definition of database?
- The Web as a database URI is main index, but
there are others - Meta-data about websites portals, personal home
pages - The art of creating indexing tools (ie google)
- Creative indexing can suggest relationships that
werent apparent before
4Map the size of the Land
. . . In that Empire, the Art of Cartography
attained such Perfection that the map of a single
Province occupied the entirety of a City, and the
map of the Empire, the entirety of a Province. In
time, those Unconscionable Maps no longer
satisfied, and the Cartographers Guilds struck a
Map of the Empire whose size was that of the
Empire, and which coincided point for point with
it. The following Generations, who were not so
fond of the Study of Cartography as their
Forebears had been, saw that that vast Map was
Useless, and not without some Pitilessness was
it, that they delivered it up to the Inclemencies
of Sun and Winters. In the Deserts of the West,
still today, there are Tattered Ruins of that
Map, inhabited by Animals and Beggars in all the
Land there is no other Relic of the Disciplines
of Geography. -Jorge Louis Borges
5Syntagm vs. Paradigm
- Originally used in linguistics by Saussure
- Expanded by Barthes for all semiotics
- Syntagm A specific sequence or construct
- Paradigm All possible constructs of a particular
type - Syntagm one Madonna song
- Paradigm all possible Madonna songs
6- Currier and rum king from A Singular Christmas
7Traditional Media vs. New Mediasyntagm vs.
paradigm (cont)
- Traditional media
- The syntagm is explicit, and the paradigm is
implied (like the Madonna song) - Traditional media object has one interface per
object - A sculpture has one interface the sculpture
itself it is the same as the object - New media
- the paradigm is present, and the syntagm is
implied - Multiple interfaces to the same object
- Number Munchers, Carnivore
8Data / Algorithm
- In computer science, everything can be
characterized as either data or algorithm - Data is passive, while algorithm is active.
- the passive/active distinction is not quite
accurate because data does not just exist it
has to be generated. - Mud active?
9Database / Narrative
- Every database needs a narrative to be realized
- Narrative the users path through the database
- The narrative is the syntagm of the database,
which is the paradigm - Follows the dominant semiological order of the
20th century
10Narrative according to Mieke Bal
- Actor
- Narrator
- Text
- Story
- Fabula
- Series of connected events caused or experienced
by the actors
11Database as cultural form
- Linear media considered high culture
- Other non-linear forms
- (comic books, technical manuals)
- considered low culture
- Are comic books really non-linear?
- Database is the new symbolic form of the computer
age - We need development of database aesthetics and
ethics
12Database Filmmakers
- John Witney
- Permutations
- Peter Greenaway
- The Tulse Luper Suitcases The Moab Story
- Dziga Vertov
- The Man With the Movie Camera
13Database vs. 3D Environment
If CD-ROMs and Web databases are cultural
manifestations of one half of the computer
ontology data structures then computer games
are manifestations of the other half
algorithms. (p223)
143D Environments as Databases
- Can be considered databases of spatial data
- Data is so complex that most people dont think
about it as a database - Programs like Maya happen to be primarily WYSIWYG
editors
15- Manovich, Lev. The Database."
- The Language of New Media.
- The MIT Press Cambidge, Massachusetts, 2001.
213-243.