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Martin Amis: Lucre, Love, and Literature

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Martin Amis: Lucre, Love, and Literature. By: Ben Jenkins. Kati Morgan. Crystal Smith ... Quotes 'The subject may be crude and repulsive' (CN,35) ... Quotes Cont'd ' ... – PowerPoint PPT presentation

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Title: Martin Amis: Lucre, Love, and Literature


1
Martin Amis Lucre, Love, and Literature
  • By Ben Jenkins
  • Kati Morgan
  • Crystal Smith
  • Vinson Goldwire
  • Cameron Smith

2
What is the purpose of this criticism?
  • Purpose To analyze the characters of the stories
    written by Amis in the way that they react to
    love and lust.

3
Does the author communicate and clearly debate
the issue(s), or does the author simply wish to
impress his audience or confuse the issue?
  • The author communicates and clearly debates 
  • the issues he has addressed. The author wishes to
  • show the audience that Amis is much more
  • focused on style rather than content, which makes
  • his work regarded more as art than as literary
  • fiction. Amis uses his literary work to comment
    on
  • culture and presents it in such a manner that it
    is
  • more of an art-form.

4
On what aspect of the literature does the author
focus?
  • The author mainly focuses on the ways that
    Amiss characters show their traits in his
    storys and novels and how they are a reflection
    on the way he lives his life and the problems
    that he faces.  

5
Does the author build on unfounded assumptions or
on the work of other critics?
  • The author builds on the work of other critics.

6
What is the dominant method of persuasion?
 Explain.
  • The dominant method of pursuasion is 
  • "the proof in the pudding." 
  • The author looks towards Amis's literary 
  • works to corroborate his argument. 

7
What is the thesis statement of this essay?
  • The thesis of the article seems to be that Amis
    is thus more interested in good and bad writing
    then in literature that attempts to delineate the
    good and the bad(35).

8
How is the argument organized?  List/Mark
sub-points of argument.
  • In this article the argument is awful. It is not
    straight forward it hops around and while it is
    logical and it pulls much information from the
    books Amis has written, it does not follow a
    clear path in its argument.
  • Sub plots include the authors view of how
    pornography figures into Amiss work, and how
    Amis views things such as a nuclear war, and the
    nature of characters in his novels.

9
Explain the main argument in your own words.
  • Group

10
What is your reaction to his/her argument?  Is it
the intended reaction?  Does the author fail to
achieve his goal?
  • Group

11
Quotes
  • The subject may be crude and repulsive (CN,35).
  • The contexts, the great forms of the eighteenth-
    and nineteenth- century sagas, have been
    exhausted realism and experimentation have come
    and gone without seeming to point a way ahead.
    The contemporary writer, therefore, must combine
    these veins, calling on the strengths of the
    Victorian novel together with the alienations of
    post-modernism (WAC,78-9).
  • One of the chief subjects of the novel is
    masculinity, but here it is allied to a wider
    sense of the relationship between patriarchy and
    violence, within which pornography figures as the
    pervasive symbol and characteristic industry of a
    fallen world (CM, 38).
  • Pornography awakened all his finer responses. It
    wasnt just sex. He really did think it was
    beautiful (LF,332).

12
Quotes Contd
  • The abuse of the defenceless innocent appears to
    become the last recourse for put-upon adults who,
    through the torturing of others, seem also to
    attempt to punish something in themselves
    (CN,41).
  • It is here that Amis explains why nuclear threat
    infects his novels the modern situation is one
    of suspense no one, no one at all, has any idea
    how things will turn out. (EM,17).
  • Amiss work might be best seen as an attempt to
    make sense of a world that doesnt make any
    (CN,42).
  • It seemed to him that all the time he used to
    spend writing he now spent dying (CN,53).
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