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War Languages Judith: Heroine or Femme Fatale

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Title: War Languages Judith: Heroine or Femme Fatale


1
War LanguagesJudith Heroine or Femme Fatale?
  • Vesa Matteo Piludu

University of Helsinki Department of Art Research
2
Judith
  • Bible Judith 1011-1320
  • the apocryphal Book of Judith
  • Judith was a Jewish woman who was totally devoted
    to God from the Isrealite town of Bethulia,
    threatened by Assyrian army under the command of
    Holofernes.
  • Judith, a Jewish widow, was a woman who was both
    attractive and honorable.
  • She was able to seduce Holofernes while he was
    drunk and then she chopped off his head and
    brought it back to Bethulia.
  • When the Bethulian soldiers showed the Assyrians
    Holofernes head, they retreated.
  • The Israelites easily overtook the Assyrians and
    were able to attack and defeat their army.

3
Judith and Judaism
  • The story is an allegory picturing Judith as
    Judaism in triumph over its pagan enemy

4
Somme le roi Chastity and Judith
5
Judy the Chaste
  • Having seduced him with her beauty
  • but not slept with him !
  • hers was a suitable example of chaste behaviour

6
Luxury and Potiphars wife - Joseph
7
Potiphars wife
  • Another example of sexual temperance is shown
    next to Judith and Holofernes. This time male
    restraint is celebrated as we see the young
    Joseph shunning the lustful advances of
    Potiphars wife.
  • Furious at this rejection, the woman would later
    accuse Joseph of attempted rape.
  • We see her grabbing the cloak that she will use
    as false evidence against the young man

8
Alessandro Botticelli. Discovery of the Body of
Holofernes. c.1469-1470
9
Botticelli Return of Judith to Bethulia, 1469-70
10
Botticelli
  • In the Return of Judith to Bethulia, Botticelli
    uses a familiar theme and a familiar type of
    figure. Judith was the female character that
    subdued the male in a hostile environment.
  • Many times in Botticellis paintings he explores
    the relationship between sexes and often times,
    the female comes out on top

11
Michelangelo. Judith and Holofernes. 1508-1512.
Fresco. Sistine Chapel, Vatican
12
Correggio. Judith. 1512-1514.
13
Solimena Judith Presenting the Head of
Holofernes to the People (1730)
14
Donatello, Judith and Oloferne 1455-60
15
DonatelloJudith and Holofernes (detail) 1460
16
Donatello, David, 1440
17
David, Michelangelo, sculpted from 1501 to 1504
18
Mighelangelo, Cappella Sistina, David and Goliath
19
Mantegna, Judith 1491
20
CaravaggioJudith Beheading Holofernes c. 1598
21
Artemisia Gentileschi, 1653 Judith and Her
Maidservant with the Head of Holofernes
22
Gentileschi, Judith Slaying Holofernes c.
1612-1613
  • Gentileschi based her first glimipse on
    Caravaggio's famous painting from c. 1598-1599,
  • but enlivens the action with even more powerful
    female protagonists.

23
Gentileschi, Judith and her Maidservant c.
1613-14
  • Judith is a solid, mature woman with an almost
    goiterous neck, quite unidealised in her looks,
    but dressed in the clothes of a noblewoman.
  • She is alert to the danger of her mission, but
    registers caution rather than fear

24
The Tassis trial
  • A certain Tassi violated Artemisia's virginity, a
    requisite for marriage between decent people. A
    consensual sexual relationship continued because
    he promised to marry her. It is likely that
    Artemisia hoped that he would marry her to
    restore her reputation.
  • Her father discovered the assault and charged
    Tassi with rape. The trial was a painful public
    humiliation for Artemisia. During the
    proceedings, she underwent vaginal examination
    and torture with thumbscrews. She was accused of
    being unchaste when she met Tassi and also of
    promiscuity. He also attacked her professional
    reputation.
  • It was not until recent years that research by
    Lapierre revealed that Tassi was found guilty. He
    was given the choice of five years hard labour or
    exile from Rome. He choose the latter, but he was
    back in Rome within 4 months, probably due to
    influence in high places.
  • Is this painting Artemisia's means of brandishing
    symbolic justice for herself and other victims?

25
Boulogne Judith and Holofernes (1626)
26
Lama Judith and Holofernes, (1730)
27
De Bray 1627 04 Dec 1697 .Judith and
Holofernes
28
Liss, Johann
29
Allori Judith with the Head of Holofernes
(1615)  
30
Giovanni Gioseffo (or Giuseppe) dal SoleItalian
painter who died on 22 July 1719 Judith with the
Head of Holofernes
31
Jan Massys 1509-75, Judith
32
Cranach the ElderJudith Dining with Holofernes
(1531)
33
Cranach the ElderJudith Victorious c. 1530
(1625)
34
Judith with the Head of Holofernes (1530)
35
Luchas Cranach the Elder Salome, 1530
36
Klimt, Jvdith vnd Holofernes (1901)
37
Klimt, Jvdith II (1901)
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