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Review Exam II

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Plucking a string at the node of any mode will not excite that mode. ... Modes 1 and 3 excited, not 2. The excitation of a mode is proportional to the ... – PowerPoint PPT presentation

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Title: Review Exam II


1
Review Exam II
2
Normal Modes
  • Collection of natural frequencies for object
  • If the initial shape agrees with a normal mode,
    the system will retain its shape.
  • If the initial shape is not one of the normal
    modes, the system will not retain its shape.
  • By using various amounts of the normal modes, we
    can construct any initial pattern we like.

3
Plucked Strings
  • Plucking a string at the node of any mode will
    not excite that mode.
  • Plucking a string at the antinode of a mode gives
    the strongest excitation.

4
Plucking Position
  • Modes one and three are symmetric
  • Mode two is anti-symmetric
  • Modes 1 and 3 excited, not 2

The excitation of a mode is proportional to the
amplitude of the mode at the plucking point.
5
Amplitude Ratios for Plucked Strings
  • Examples
  • a3 ? a1/9
  • a5 ? a1/25

6
First Four Normal Modes
a1
a2
a3
a4
7
Amplitudes of First Eight Modes of a Plucked
String (1/4 point)
8
Removing Modes
  • To remove the nth mode and its multiples, pluck
    at the 1/nth position.
  • Plucking near one of these positions weakens the
    corresponding modes.
  • High order modes are weak because of the 1/n2
    dependence.

9
Striking a String
  • Striking gives a 1/n dependence

10
Wide Plectra
  • A wide plectrum can be simulated with a series of
    narrow plectra

11
Example Case
  • For the fundamental mode the central plectrum is
    at the antinode (maximum excitation).

The plectrum at the ¼ point excites the
fundamental 0.707 as much.
When both act together, the displacement is
constant between the plucking points and equal to
a1 (2/3)b1
12
Net Mode 1 Excitation
  • Mode 1 is excited to an amplitude of
  • a1 (2/3)(0.707)b1 1.47a1 (constructive)

a1 - (2/3)(0.707)b1 0.53a1 (destructive)
13
Two Narrow Plectra Results
Separation
Notes
  • One wavelength pulling in same direction
  • About one wavelength
  • Same as one pulling twice as hard
  • That mode is canceled
  • mode is only weakly excited.

14
Hammer Strike
  • Must consider spatial and temporal distribution
    of the forces.
  • The simple model uses a linear restoring force F
    -kx (Hookes Law)
  • When a steady force is applied to the felt of a
    piano hammer, the felt becomes stiffer with more
    compressions.
  • Larger force must be applied to produce the same
    compression. F Kxp

15
Comparing forces
Preferred range of values for p is 2 - 3
16
Force in Space and Time
17
Force notes
  • Wh a narrow plectrum.
  • Wh ? ½ l excitations are about half as strong.
  • Wh l that mode receives very little excitation.
  • Th the same as an impulse.
  • Th ? P/2 are excited at about half the strength
    as an impulse.
  • Th P that mode receives little excitation.

18
Vibrating Bars
Mode 1
19
Other Modes
Mode 2
Mode 3
20
Finding Modes
  • Motion on one side of a node is opposite from the
    other side of the node.
  • Tapping at the node does nothing to stimulate
    that mode.
  • Tapping near antinode gives maximum stimulation
    of that mode.

21
Mode Shapes
Length Modes
Width Modes
Width modes will have higher frequency
22
Types of Plate Edges
  • Free Edge antinodes always appear at the edges
  • Clamped Edge ends are merging into nodes rather
    slowly
  • Hinged Edge ends come more rapidly into nodes

23
Tuning a Plate Changing Mass
  • Adding mass will decrease the frequency
  • Positioned near a node has no effect on that mode
  • Positioned near an antinode has maximum effect on
    that mode

24
Effect of Thinning the Plate
  • Changing the plate thickness affects the plate
    stiffness
  • Since f ? (S/M)½, thinning the plate decreases
    the mass (raising the frequency) M ? means f ?
  • Thinning the plate also lowers the stiffness
    (lowering the frequency) S ? means f ?

25
Net effect
  • Rayleigh finds that the change in frequency
    caused by thinning the plate is about three times
    the effect caused by mass but acting in opposite
    senses.
  • The craftsman finds the places where he can add
    wax to get the frequencies he wants.
  • Wax adds mass without affecting stiffness.
  • The change in stiffness dominates in the other
    direction
  • Cut away wood at the positions of the wax.
  • The amount of wood mass removed is half the mass
    of the wax.
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